Why Perfume Performance Is Not a Personality Trait
Longevity and projection matter, but they are not proof of quality—or personality. Here is why perfume performance is only one part of wearing fragrance.
Longevity and projection matter, but they are not proof of quality—or personality. Here is why perfume performance is only one part of wearing fragrance.
Fresh, bitter, floral and quietly indispensable: bergamot does far more than open a perfume. Five fragrances show how versatile this Calabrian citrus can be.
For my mother’s birthday, I am revisiting J’adore L’eau Cologne Florale, the luminous 2009 Dior flanker that let me love J’adore in my own way.
Six hyped fragrances, six verdicts — and it turns out almost none of them are actually about the perfume.
François Demachy shaped modern Dior with a style that made luxury feel clear, sensual and unmistakably Dior.
Francis Kurkdjian takes Jasmin des Anges from sunlight to dusk, intensifying jasmine grandiflorum with syrupy strawberry and peach.
In 2005, Dior Homme placed powdery iris at the centre of a masculine fragrance. Twenty years later, its influence is still impossible to ignore.
It may look delicate, but iris has roots, patience and considerably more personality than a polite purple flower has any…
Miss Dior changes again. Francis Kurkdjian replaces the millefiori bouquet with rosewood, patchouli, vanilla and a distinctly woodier attitude.
Dior Sauvage Extrait takes the line into darker territory with Vietnamese oud, aromatic freshness and a dense accord of noble woods.